“Fall & Winter along the South Shore Line” on display at Indiana State Library

Out of the vault and on display, “Fall & Winter along the South Shore Line” is now ready to be viewed at the Indiana State Library. The exhibition includes ten of the library’s collection of colorful large-scale Chicago South Shore & South Bend Railroad posters. The South Shore Line commissioned artists in the late 1920s and early 1930s to design their eye-catching advertising posters. The posters on display were designed by artists Ivan V. Beard, Emil Biorn, Otto Brenneman, Oscar Rabe Hanson and Leslie Ragan.

Featured with the poster exhibit is a display of Hoosier artists’ holiday cards depicting vibrant and festive scenes. The cards, designed by such notable artists as Wayman Adams, Gustave Bauman and Floyd D. Hopper, were given to their friends and family for Christmas and New Year’s during the 1920s and 1930s.

The South Shore posters, and many others in the library’s collection, are being digitized for online access through the Indiana State Library Broadsides Collection.

The “Fall & Winter along the South Shore Line” exhibit is free and open to the public during regular business hours and will remain on display in the Exhibition Hall through January 2020. The Indiana State Library is located at 315 W. Ohio St. in downtown Indianapolis. For hours of operation, directions and parking information, click here.

The South Shore Line continues providing service as an electrically powered interurban commuter rail line under the authority of the Northern Indiana Commuter Transportation District between Millennium Station in downtown Chicago and the South Bend International Airport in South Bend.

This blog post was written by Indiana Division Librarian Andrea Glenn. For more information, contact the Indiana Division at 317-232-3670 or “Ask-A-Librarian.”

Treatment of a water-damaged 1943 U.S. Cadet Nursing Corps poster

As a follow-up to a recent post regarding material from the Indiana State Library’s Government Documents Division, this post will summarize the repair of a 1943 U.S. Cadet Nursing Corps poster that was damaged during an air handler water leak on April 15, 2019.

The poster is a 1943 lithographic poster for the U.S. Cadet Nurse Corps, drawn by artist Carolyn Edmundson. On that morning, a leak was discovered in the public documents room in the library. By the time it was discovered, the water had caused damage to a variety of pieces that had been left on a table under the leak spot. One of these pieces was the nursing poster. It was apparent, that while the poster had suffered water damage, there was also damage to the poster that predated the leak. The poster suffered from severe creasing, tears and areas of loss. A small amount of old pressure sensitive cellophane tape was found on the back and the paper was very dirty and brittle. Staining had occurred from the water damage. Additionally, the paper was cockled.

The treatment of the poster began with documentation. Both sides of the poster were photographed, and a report was written documenting its condition and proposing treatment options to address the damage. The first step was to dry clean both sides of the poster to remove the dirt and grime. The cellophane was then removed with the use of a hot air pencil.

The entire poster was washed in alkalized water and dried between wool felt blankets.

The area of loss was filled with re-pulped paper and the entire poster was lined onto a sheet of Japanese tissue with wheat starch paste.

The poster was photographed again and a final report was written documenting the treatment.

The poster is now safely back in the flat file cabinet with the library’s other broadsides.

This blog post was written by Seth Irwin, conservator, Indiana State Library.

Making it “happy” again

During a recent treatment, I was reminded by a librarian that it’s amusing to them that I describe conservation treatment work as making something “happy” again. To be perfectly honest, that is exactly how I see it. When I see something that is torn, stained, and taped within an inch of its life, it looks miserable to me. I see the potential and I can’t wait to get stuck in.

A great example of this is a recently completed treatment on one of our beautiful 1920s South Shore Line broadsides. “Steel Mills at Gary by South Shore Line,” (C. 1925) had come to my attention because it will be featured in an upcoming exhibit here at the library this summer. We have also been digitizing these broadsides and, in its current condition, it would have been very unsafe to do so.

With a large disfiguring tear down the front and several edge tears, creases and losses, this broadside just looked uncomfortable. As you can see on the back, an enterprising former employee had attempted to mend this posted with one of a conservator’s most-dreaded nemeses: tape. This mending job had also not quite lined up the tear carefully enough, causing the main disfiguring problem: bumpiness in the overall surface (or as we call it in fancy conservation terms, cockling and planar distortion). The edges definitely held promise because I could see that much of what appeared “lost” at the front had actually just been torn and folded over onto itself. With careful work, it could be made happy again!

The plan of attack was simple:

  • Surface clean the front and back carefully
  • Remove the tape from the back, ensuring all adhesive residue is removed
  • Properly align and mend tears
  • Re-encapsulate

Self-mending flap tears, where the paper has torn in a way that overlaps itself and can be mended to itself, sometimes without Japanese paper needed.

Encouraging folded edges to lay flat again with the use of localized humidification.

More of the same.

Using gentle pressure to encourage folded edges to lay flat.

After the tape and adhesive residue were painstakingly removed, I was able to realign the tears and mend it all back together using wheat starch paste and Japanese paper. Here are the results:

After treatment.

This broadside looks much happier and can now be safely exhibited, digitized, and accessed by our patrons. A very satisfying treatment, indeed!

This broadside is part of the Rare Books and Manuscripts Broadsides Collection at the Indiana State Library.

This blog post was written by Rebecca Shindel, Conservator, Indiana State Library. 
Please note that colors presented on computer screens are not precisely accurate, and may look slightly different from one screen to another.